As a war narrative enveloped in magic, love, and hope, The Baghdad Clock adds depth to the burgeoning genre of postcolonial Iraqi novels.
“Compassion is an unstable emotion. It needs to be translated into action, or it withers. The question is what to do with the feelings that have been aroused, the knowledge that has been communicated. If one feels that there is nothing “we” can do—but who is that “we”?—and nothing “they” can do either—and who are “they”?—then one starts to get bored, cynical, apathetic.”
Without a doubt, 2020 has been a testing time for all of us across the globe. Fortunately for us book lovers, the new decade has been packed with compelling debuts […]
“Siddhartha said: ‘What could I say to you that would be of value, except that perhaps you seek too much, that as a result of your seeking you cannot find.'”
Alifa Rifaat’s stories are situated within an Islamic framework that allows her to create a feminism of her own. Since Islam and empowerment are often misguidedly placed in contradiction to one another, it’s easy to see why Rifaat is not a household name.
“So instead of giving way to despair, I took the way of active melancholy as long as I had strength for activity, or in other words, I preferred the melancholy that hopes and aspires and searches to the one that despairs, mournful and stagnant.”
“…But every once in a while, I’ll read a book that glorifies problematic relationship behaviors such as manipulation or even stalking. I don’t ever want to write a book that encourages women to seek out unhealthy, or even dangerous, relationships, so I focus on creating relationships that are healthy.”
The Year of the Middle Eastern Reading Challenge + Unapologetically Muslim Reading Challenge? Yes, please.
This may all seem too idealistic to some but nonetheless conveys a crucial message about the role of the artist and what cultural and literary representations can offer in the ongoing debates about the so-called “problem” of Muslims in the Anglophone North Atlantic.