What does it mean to love a homeland yet not be able to fully return? Eleftheriou asks in her book, and how can one express love for the same sex in a culture that doesn’t recognize its existence? How does one deal with the liberal privilege of labeling grief over such a cultural denial as inconsequential? Joanna’s insight into the dynamics of love and loss as one seeks a sense of belonging is moving and captivating and guided our conversation about her book.
I picked Kamali’s latest novel for Iran because I have heard a lot of Kamali who was born to Iranian parents in Turkey. She’s traveled extensively and lived in Kenya, Germany, Turkey, Iran, and the United States. Her multifaceted identity axiomatically complicates her positionality as an Iranian writer only, making The Stationery Shop the perfect novel for my project.
Initially, I was planning to change it up and post a short video as my January wrap-up–I don’t know what it is exactly (am I still resisting to the Instagram reel/ TikTok book review culture, who knows?), but I felt like writing a post–so here is the first wrap-up of 2021!
Folklorn is a contemporary origin story that seamlessly weaves Korean folklore within a narrative of identity, migration, and home.
My ultimate goal here as a voracious reader is to delve right into the literary scene(s) and spaces created by Asian writers–which I’ve been missing out on all these years. Eventually, I’d like to complete a “World Bookshelf Challenge” at the end of which I will have read at least one contemporary text from each country around the world, but let’s see how this particular reading list goes.
European poet Rainer Maria Rilke (1875-1926) pursued a life of meaning through his writing. He studied with the greatest minds of the 20th century, from Rodin to Lou Andreas-Salomé, not only to learn how to write better, but to learn how to think, feel, and live like an artist.