June has officially come to an end, and I’ve decided to post my first wrap-up piece as I wait for my flight back home at O’Hare.
Children of War is one of the most important translated works released in 2020. Hassanaki’s story encourages us to resist the politics of demonization that breeds polarization and fear—fear of difference and of change.
As Angie Thomas asks, “What’s the point of having a voice if you’re gonna be silent in those moments you shouldn’t be?”
As a war narrative enveloped in magic, love, and hope, The Baghdad Clock adds depth to the burgeoning genre of postcolonial Iraqi novels.
This is home too, from which I’m writing a thank you letter to Who Wants to Be a Millionaire, I suppose? Who would have thought?