European poet Rainer Maria Rilke (1875-1926) pursued a life of meaning through his writing. He studied with the greatest minds of the 20th century, from Rodin to Lou Andreas-Salomé, not only to learn how to write better, but to learn how to think, feel, and live like an artist.
To say the least, it was painful to write this post. I didn’t quite know what to say on finding the good in goodbye. And I still don’t. I’m still not sure what to make of the good in goodbye. Instead, I find the wonderful poet Mary Oliver’s words comforting.
Gautier adored cats so much that he penned a book entitled ‘Ménagerie intime’ (1869) where he meditated on the cats he’d owned –excuse me, that owned him– through his life.
To Longfellow, Fall means change, wisdom, an end and a beginning. A contradiction. Fall, he suggests, is a poignant reminder of our mortality.
“When we choose to love we choose to move against fear-against alienation and separation. The choice to love is a choice to connect-to find ourselves in the other.”
As a war narrative enveloped in magic, love, and hope, The Baghdad Clock adds depth to the burgeoning genre of postcolonial Iraqi novels.
“Compassion is an unstable emotion. It needs to be translated into action, or it withers. The question is what to do with the feelings that have been aroused, the knowledge that has been communicated. If one feels that there is nothing “we” can do—but who is that “we”?—and nothing “they” can do either—and who are “they”?—then one starts to get bored, cynical, apathetic.”
“Siddhartha said: ‘What could I say to you that would be of value, except that perhaps you seek too much, that as a result of your seeking you cannot find.'”